Love Story 2050

Rating : 3/10
Running Time : > 180 Minutes (definitely feels like an eternity)
Release Date : 4th July‘08
Director & Story : Harry Baweja ; Music : Anu Malik
Starring : Harman Baweja, Priyanka Chopra, Boman Irani

I think I know what happened here. The Baweja’s spent so much money on the Australian locales and special effects / animation on the 2050 part that they ran out of money and employed themselves as the story / screenplay writers and also forgot to employ an editor. The result is a movie reeking with inane, hammy dialogue (the next time Harman said 'I dont need luck, I have love' in that goofy way of his, I swear the entire audience would've lynched him) , a story crammed with unnecessary sub-plots and silly twists and turns. And I honestly think they put every scene they shot up on the screen. They forgot the editor or his scissors…

He-man type, xtreme sport loving Harman falls for a Mills & Boon type, pink colour loving, Priyanka who writes a diary, scribbles hearts, and names toys ‘Winkydinks'. Harman woo’s her by breakdancing and doing all the silly things that work only in movies and never in real life. He also immediately transforms from an alpha male character into a mushy, soppy mass of goo, who breaks into tears at the drop of a handkerchief. Enter an uncle, a cliched mad scientist type, who has a time machine, some more very silly twists and turns, and we’re off for Mumbai 2050.

There are three glaring examples of sub-plots which didn’t need to be there at all
 The two kids : Priyanka's siblings. Firstly I know of no kids like them, they’re irritating, try to be cute, are all senti-mushy-yucky and mouth sentences no self-respecting kids would. Secondly, there’s not one reason why they had to exist on-screen.
 Harman Baweja’s Dad : again, the whole father-son relationship thing was unnecessary. The story wouldn’t have changed one iota, if Harman had simply remarked ‘mera koi nahin hai’ and we would’ve saved fifteen minutes of screen time
 The whole Hoshi angle : an unnecessary caricature of a villain they introduced in the 2050 part of the film.

Come to think of it, they could’ve just shown Harman and Priyanka to be dating already, spared us the whole courtship thing and gone ahead directly with the 2050 part. So whats good about the film ? The locales in Australia are very nice, well-chosen and for a change its not about Sydney, the opera house and Sydney harbour but something more interesting. Priyanka is all pouty, but looks decent, even in red hair. And the futuristic animation / special effects are good. Not great, but good and with a couple of nice touches (the Kantabai hologram and the paan-making robot were interesting thoughts).

Harman can dance, look good but is overly made-up (the lip gloss is too prominent) and is very bad at dialogue delivery. His character, during courtship, is also shown doing a couple of things which are very silly (getting up while a rollercoaster is moving and stealing a toy) and kids may take up on that. And eets long, this movie, very painful and eets very, very long (some 30-40 people left midway into the second half, after having shelled out Rs200 for the preview).

I went more for the 2050 part but unfortunately it’s the Love Story part that dominates – they don’t let go even in the 2050 part and spoil that too. When I first heard the toy name ‘winkydinks’, my instinct was to get up and run. I didn’t obey it and sat through. Big mistake. Big. Huge !

Via Darjeeling

Rating : 3/10
Running Time : 103 Minutes
Release Date : 27th June ‘08
Director : Arindam Nandy ; Writer : Arindam Nandy & Atul Sabharwal ; Music : Prabuddha Banerjee
Starring : Vinay Pathak, Kay Kay Menon, Sonali Kulkarni, Sandhya Mridul, Rajat Kapoor, Prroshant Narayannan, Parvin Dabas, Simone Singh

What happened here ? Its definitely something different, something unusual for Hindi cinema. I kept sitting through a movie that while boasting of an excellent star cast, clearly lacked zip in its dialogue and was moving at a soporific pace, hoping that the ending would surprise us all and make the whole journey worthwhile. No such luck, it only contributed to making my heavy head become a full-fledged throbbing headache….

The premise is that of a husband vanishing (shades of Frantic in reverse here)on the last day of their honeymoon. The inspector is not able to make any headway and later is ordered to kind of be hands off by the rich and powerful father of the bride and also the chief inspector / DIG of the region.
So one rainy night, at a house gathering with some very drunk and some barely sober friends, he mentions this case and all the others take a crack at trying to figure out what happened. The theories get more and more weird, some intersect with reality (but in a kind of blurry way, so you’re not really sure whether it was fact or fiction), some are pure concoctions fuelled by the number of drinks poured into the narrator.

The movie, in any case, would live or die by its ending and I felt cheated at the end. It was unintentionally funny and lead to much mirth and merriment amongst the 50odd people watching it in the hall. The laughter was more at ourselves, the kind where you laugh at how you’ve been taken for a fool. It’s the kind of film which drives you straight into the cold embrace of a frothy beer, so in the overall scheme of things, it still ends well…

The Incredible Hulk

Rating : 5/10
Running Time : 114 Minutes
Release Date : 27th June ’08 (India)
Director : Loius Leterrier ; Writer : Zak Penn
Starring : Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson
I enjoyed the first part of the first half here, where Bruce Banner (Edward Norton), trying to lead a normal life in the favella’s (slums) of Brazil, attempts to come to grips with his gamma over-exposure. He tries to learn to control his anger, which of course is one of the triggers leading to his transformation to the big bad green man…(there is another more interesting trigger, but unfortunately, despite a willing Liv Tyler, we never saw how that turned out).

His life there, though is interrupted by the US troops tracing him and landing there, and he is forced to go on the run once more and return to the US. One soldier in particular, Emil Blonsky (Tim Roth), makes it a kind of personal mission to lock horns with him again, and aided by the (insanely dumb ?) General Thaddeus 'Thunderbolt' Ross, is actually given injections from the extinct super soldier program, to transform him as well into something not quite human

So, the second half, is all about one computer generated figure (the Hulk) fighting another (a genetically enhanced Tim Roth). Or how the Hulk copes with whatever gizmos the General can throw at him. Though, like the Hindi movies of yore, where the villains / henchmen would always attack the hero one at a time, the General also chooses to attack him with only one thing (tanks, cannons, gunships etc) at a time. Apparently concepts like Bush’s ‘Shock and Awe’ or the German’s blitzkrieg methods from WWII have yet to pierce the unit the General runs.

The interesting part here is only watching how Liv Tyler’s relationship develops with the Hulk, how she is able to calm him down etc. I think they missed a trick here, it would have been far more interesting to make it more like a Batman Begins, going into Edward Norton’s thought processes and his way of looking at the things happening to him (as they did with Christian Bale in Batman Begins). That probably would also have been a better way of utilizing Edwards undoubted acting talents, which were a trifle wasted here. There is clearly a sequel being planned, and its highly unlikely I’m going to watch it.

I also think that it was a bit too violent / scary for the primary audience of Hulk, the under-teens. A good barometer of how much the movie makes a mark on my son is the toys he takes out and begins to play with the next day. After Superman, it will invariably be his Superman toy, after Spiderman 3 it was Spiderman etc. All of today, the Hulk has remained safely confined to his toybox. It clearly failed to fire up his imagination in that sense…

Thoda Pyaar Thoda Magic

Rating : 5/10
Running Time : 145 Minutes
Release Date : 27th June ‘08
Director & Writer : Kunal Kohli ; Music : Shankar-Ehsaan-Loy
Starring : Saif Ali Khan, Rani Mukherjee, Rishi Kapoor, Amisha Patel and the four kids (Akshat Chopra, Shriya Sharma, Ayushi Berman and Rachit Sidana as the Sikh boy)
Its one big cliché, the whole movie and if it were not for the cute sardar kid, the rating would’ve been lower by at least 2 points. Its way too predictable, right from the punishment, to what happens in the middle, and of course, the ending.

Rich, introverted industrialist (Saif) kills a couple in a road accident, court sentences him to take care of the couple’s four kids (two girls and two boys, one an adopted sikh boy, a nice touch) who range from 5 years to a sullen early teen types. When they move in, he obviously can’t cope, the kids play pranks on him etc and he decides to go for a nanny as his girlfriend (Amisha Patel) is a rich, ‘shopping is the solution to everything’ kind of person. Enter God (a smiling, beatific Rishi Kapoor), who sends one of his favorite angels (Rani), a ‘Maria of Sound of Music’ type character, to make them come together and then return to heaven. One of his preconditions is that she not use any of her magical powers but that is completely ignored… (and that bugs me throughout the film…I think it would’ve enhanced the story if she hadn’t)

In any case, some cute pranks (the bathroom being occupied), some nice touches (nice chat between the sardar boy and Saif in one scene), some nice animation (a hundred times better than Ganesha or Hanuman), one completely inappropriate song, with a bikini that was too short and a swimming pool underwater scene that was too long for a kids movie, some laughs and emotion towards the end. And whaddya know…its over…

Kids will enjoy it. Adults will find it very so-so. To baat saaf hai, deviyon aur sajjanno, agar aap bachon se sachmuch karte hain pyaar, aap picture se nahin karenge inkaar…

De Taali

Rating : 7/10
Running Time : 146 Minutes
Release Date : 20th June ‘08
Director : E.Niwas ; Writer : Abbas Tyrewala ; Music : Vishal-Shekhar
Starring : Ritesh Deshmukh, Aftab Shivdasani, Ayesha Takia, Rimi Sen

A nice, cute, goofy movie. And thankfully it remains light and frothy throughout, some parts more hilarious than the others but never taking either the vulgar or the slapstick route.
Three friends, two guys (Aftab and Ritesh) and one tom-boyish girl (Ayesha), have known each other since forever. One boy is mega-rich (Aftab), others are middling to hard-up. Due to some egging by other parties, girl begins to have feelings for rich boy. He, however, proceeds to fall for someone inappropriate (Rimi). What happens next ?

The following samples should help you decide if its your brand of humour or not…
 One of the events in the movie happens at a Big B party – where all people dress up as different characters played by Amitabh Bachchan, mouth his famous dialogues etc
 Ritesh, in one scene, wears a T-Shirt saying ‘I scored last night…’
 He addresses different people with different flowery urdu salutations “Bahaare – e- Gulzar” etc
 There was a hilarious torture scene, I can't say more but the fifth degree was brilliant, it would’ve made even me crack
 There’s a very nice confrontation between Aftab and Ayesha towards the end…I’ve used Aftab’s style later in a couple of personal situations and it works !

Slightly predictable, again wont change your life, but likely to make you laugh in a few places without completely insulting your intelligence. And surely that’s worth the price of a ticket…

Summer 2007

Rating : 7/10
Running Time : 160 Minutes
Release Date : 13th June ‘08
Director : Suhail Tatari; Writer : Bijesh Jayarajan ; Music : Gourav Dasgupta
Starring : Sikander Kher, Gul Panag, Alekh Sangal, Uvika Choudhary, Arjan Bajwa, Prashant Naraynan, Ashutosh Rana

I’m going to give the film 10 for intent / content and then deduct 3 for cinematic failings and a slightly preachy script / ending. It highlights an issue (of farmer suicides) that somehow, to paraphrase the laconic words of a good doctor in the movie, gets overshadowed in our daily news by Bollywood gossip, cricket, some child falling in a hole etc. This movie brings you face to face with this reality, takes us out of our air-conditioned comfort zone and shows us what life really is like in villages, where people commit suicide for amounts we would find trifling. A word of caution – this film is not for the squeamish, there are several very uncomfortable, gory moments

It tells the story of a gang of five medical students (the first 5 characters in the star cast above), a mixed bag of characters, all fairly well off, mostly self-centered except for Gul Panag (affectionately known as Mother T because of her militant / rebellious / over-zealous helping tendencies). To flee a minor troublesome issue in college, they decide to go for their mandatory rural service with the plan being to choose a place near Goa, where they can chill out etc. They however, arrive smack bang in the middle of a spate of farmer suicides, to join a seemingly indifferent doctor, a local toughie who is the grain provider cum money lender of the village and his goon-like son, who is single handedly responsible for no female help willing to work in their household. How they slowly become involved in the life and the issues of the village is the focus of the second half. And it doesn’t always make for very pleasant watching.

For me the crucial cinematic shortcomings were the length (its quite a long watch at almost three hours), the fact that it’s a bit preachy, a bit forced in parts. And that a lot of the characters weren’t really developed – so we didn’t understand fully how / why they changed and got involved in a battle which was ‘none of their business’ to begin with. Also, in the first half, some the dialogue tries too hard to be ‘cool’ and ‘with it’ so it doesn’t really work. The music (both the background score and the rather ‘forced’ songs) detracts from the movie plot.

The acting, though not truly consistent, is good. Sikander – the leader of the group – was ok. His acting is not great but is likely to get better over time. Gul Panag was good, credible in her acting, as you would expect though her character was a bit too screechy / do-gooder for my liking. The real stars were Arjan Bajwa, the Casanova of the group, the guy who actually looked cool without trying too hard and made his presence felt despite having the least screen time. The doctor of the village, very well played by Ashutosh Rana, a man who wants to do good but is not beyond human vices (sex, drink). And the son of the local toughie, played by Prashant Naraynan (last seen by me in the brilliant Waisa Bhi Hota Hai Part II), who again churns out a strong performance.

I hope the film results in a few things. More medical students (and why not other / MBA students etc) wanting to do rural service as part of their course. More institutions offering micro-finance coming up through the country. And finally, us, the urban city slickers, being a bit more sensitized to the issues most farmers face in their life, a life so far removed from ours, that they could literally be living on another planet. I hope next time there is an article about farmer suicides, we will actually read it rather than skipping straight away to the sports page. Given the almost disastrous box-office response of the film though, this may be too much to hope for.

The Happening

Rating : 3/10
Running Time : 91 Minutes
Release Date : 13th June ‘08
Director & Writer : M Night Shyamalan ;
Starring : Mark Wahlberg, Zooey Deschanel, John Leguizamo, Ashlyn Sanchez

I think M Night Shyamalan has lost his Sixth Sense, I can see the Signs, its clearly Happening.

I think there must be a reason why you want to spook people, some message you want to get across. If suddenly people start killing themselves, and it spreads like an epidemic throughout the north-east of USA, then for sure it spooks you. Also people finding different innovative ways of killing themselves doesn’t make for pleasant watching in the best of times / movies. And it drags – more people kill themselves, we get exposed to some of the classic American nut-cases, then more people kill themselves. And we still don’t know why…

Mark Wahlberg, as a science school teacher, plays his part pretty convincingly. Somehow, recently, I’ve had an overdose of him, having seen him in ‘The Invincible’, and ‘The Shooter’ apart from ‘The Italian Job’ (the remake, one of my favourite movies). Maybe it’s a sign ? He was good in this movie as well, trying to manage his wife and a kid while trying to figure out whats happening amidst the bewildering going-ons. It’s a well made film, as far as the art of film-making goes. Some nice jokes, a lot of tension, some emotion etc. But you cant help but wonder what was the point of it all !?

I loved Sixth Sense, didn’t think much of Signs and successfully dodged his other movies (Village, Lady in the Water). I think the director is on a non-stop downward spiral. I was proud of myself for predicting the ending, for predicting the way he would end the film. Until my wife cattily remarked it could be because I’ve started thinking like him. After watching the Happening, that wasn’t a compliment…

The Third Wave (Aka Den Tredje Vagen)

Rating : 7/10
Running Time : 115 Minutes
Release Date : 15th Oct ‘03
Director & co-Writer : Anders Nilsson ; Writer : Joakim Hanson;
Starring : Jakob Eklund, Irina Bjorklund, Marie Richardson, Ben Pullen

A woman opens an email from her boyfriend, which shows he’s doing money laundering for the mafia. She can’t go to the cops, they’re bought. She sees someone on TV, talking about fighting organized crime across Europe, creating a new division called Europol, and decides to approach him for help. The Europol chief has also called to the same meeting place an ex-cop /friend to persuade him to join his division. Also, thugs of the mafia, who know that she knows, land up at the same venue to try to kidnap her and take her to their headquarters.

What happens next involves a lot of killing, running, hiding, tension and thrills across different cities in Europe. The movie has a very nice European flavour to it – maybe I liked it so much just because it felt good, reminding me of the time I used to roam the same cities (Den Hague, Munchen, Bruxelles) and say the same words (Daag, Tchus etc).

It flows along at a good pace, occasionally slacking up as the protagonists try to figure out whats happening in this complicated jigsaw. Also joining them in their chase, are the ex-cops pregnant wife and daughter, providing an interesting angle to the proceedings. There is a nice twist in the ending, one which even makes one of the villains who’s dying, smile as he falls down.

It’s very well put together and is apparently part of a trilogy with Johan Falk. I saw it on Zee Studio recently (Sony Pix and Zee show some very good, different titles unlike the mainstream crap on HBO and Star Movies) and thought you might be able to catch it on DVD circuit. After all, there are very few films with as interesting a tag-line as ‘An entire continent is being stolen’.

Sarkar Raj

Rating : 7/10
Running Time : 125 Minutes
Release Date : 6th June ‘08
Director : Ram Gopal Verma ; Writer : Prashant Pandey ; Music : Bappi-Tuttul
Starring : Amitabh, Abhishek & Aishwarya Rai Bachchan, Ravi Kale, Dilip Prabhavalkar, Rajesh Shringarpore, Govind Namdeo, Upendra Limaye

Ignore the hype, ignore the sheer star power, ignore that it’s a sequel (successor to Sarkar)and ignore the similarity (or not) to the Thackerays. And you still have a very interesting, original film, one that doesn’t hesitate to take a path rarely traveled in Bollywood. It is let down (albeit only marginally) by some patchy dialogue – its very good in parts and mediocre in others. Plus there were some bits which were unreal (almost straying into sermonizing in a couple of instances) and others we saw too much of – I cant say more for fear of giving it away – but this still doesn’t detract from a very good cinematic experience, one where you’re constantly wondering whats going to happen next and one where what does happen, does actually surprise you.

The story is only incidental, another excuse to showcase the political in-fighting, backbiting that characterizes most politics in India. Like most other movies it connects the mafia / rule of brute force with the politicians and it does showcase how some petty, vested interests ensure the nation remains backward. A foreign company wants to invest in a mega powerplant, the largest in the world / India, in the Thackerwadi region in Maharashtra. The politicians advise the company, which is fronted by Aishwarya Rai (daughter of the owner), there is no chance of relocating the 40,000 odd people of that region and hence proceeding with the project. It then reaches Sarkar (Amitabh Bachchan)…


I loved the acting, especially of the three Bachchans. Amitabh was sensational, easily the patriarch of the film, dominating it with his presence, even though he didn’t have the most screen time. I thought Abhishek acted very well, a mature performance, that of a person coming to grips with running his father’s business. Aishwarya, as you know I’m biased towards her, but I thought a) she looked great b) she looked different – effortlessly fitting into the power dressing of todays business women c) she acted very well, going from a woman clearly out of place in the politics, kind of like Alice in Wonderland, to someone, who though still not entirely at ease, is beginning to make sense of it all (thanks to some tutorship). The scenes between Amitabh and Abhishek were the highlights of the film – they share such an easy on-screen chemistry that you really wonder how they are in real life. The other character actors were very good, giving life to their roles. I also loved the last scene – I don’t think there was a better way to depict that life and business go on…


Not so great were the songs (ordinary), the background score (over reliant on the ‘Govinda Govinda’ theme) and the blood and gore. I also thought that the business aspects of the power plant – why is it actually so good for Maharashtra or why does it have to be in Thackerwadi were completely glossed over, while some reasoned debate would have enhanced the film.

RGV has redeemed himself with this one, only a bit though. It’ll take a lot longer for me to forget his Aag….

Aamir

Rating : 8/10
Running Time : 90 Minutes
Release Date : 6th June ‘08
Director & Writer : Raj Kumar Gupta ; Music : Amit Trivedi
Starring : Rajeev Khandelwal
A genuine surprise, this one, and very unlike a normal hindi movie. Don’t watch if you’re in the mood of light, timepass entertainment. Watch it though for some great acting, a very authentic and gritty look at the bylanes and Muslim areas of Mumbai, some good dialogue, a fantastic background score and some great editing which never lets the tension slacken.

Aamir, a Muslim doctor in UK, decides to return to India and lands in Mumbai airport. Outside the airport, he can’t find his family and no one responds when he calls home either. That’s when his nightmare begins. Two strangers on a motorbike hand him a mobile phone and when it starts to ring, Aamir finds out that a stranger knows everything about him, has kidnapped his entire family and now wants Aamir to follow his instructions or else…

The instructions take him all over Mumbai, in small by-lanes, dirty hotels, std phone booths etc. A man who was walking the pristine streets of Windsor / Eton a few short hours ago, is soon having to gingerly step over faeces in a public lavatory in some city lodge. And all this while he has no idea what the stranger wants him to do. And his every move is watched, the mobile has outgoing barred, the strangers henchmen seem to be everywhere !


Rajeev is outstanding. No other word fits his performance. He displays the whole gamut of emotions – from incredulity to anger to pleading – he goes through all of them flawlessly. Everyone else fits their parts well – they really don’t seem to be extra’s performing a part. Its apparently copied from a movie Cavite. However, its so nicely adapted to Mumbai / India / Muslims that this doesn’t detract anything from the film at all in my eyes. The ending does a bit – I wish they had gone for a different one but nothing else truly fit the characterization of Aamir they had shown.

I also found the ideological debate between Aamir and the stranger fascinating and they balanced it well, never letting it get too weighty. As someone once said, poverty is the most fertile breeding ground for terrorism. Because when you’re poor and things aren’t going your way, then every setback seems like a perceived injustice, another reason to don arms and fight against the perceived oppressors.

Like I said, its not an easy or light subject matter, but is made eminently watchable by the brilliant direction of Rajiv Kumar Gupta and the equally brilliant acting of Rajeev Khandelwal. The tension is not the type where it makes you bite your nails, but rather hovers over the atmosphere, like a dark menacing cloud. However, there’s enough of a cool breeze to still make it an enjoyable day out.

Woodstock Villa

Rating : 5/10
Running Time : 94 Minutes
Release Date : 30th May ‘08
Director : Hansal Mehta ; Writer : S.Farhan and Rajiv Gopalkrishnan ; Music : Anu Malik
Starring : Sikander Kher, Neha Uberoi, Arbaaz Khan, Gulshan Grover
Yet another set of star progeny get introduced, Sikander (son of Anupam and Kirron Kher) and Neha Uberoi (daughter of Suresh Uberoi). After the disastrous Saawariya, I thought I was off such launch films, but this one wasn’t so bad after all. And yes, the leading pair may actually have a future in Bollywood after ironing out a few rough edges. .
Sikander plays a stud who’s penniless, down on his luck and also has to pay back a ‘Bhai’ type Gulshan Grover, who basically gets Sikander beaten up every time they meet since he still hasn’t gotten his money back. His luck changes or so he believes, when a seductive siren walks in with a get-rich-quick scheme. Validating the empirically proven ‘there’s a sucker born every minute’ saying, Sikander accepts and soon things have gone awry and he’s running to save his life with the cops breathing down his neck.

There are a few logical flaws but what really pulls this movie down is the predictability of the plot – there is nothing really new here and you can predict every curve, every twist and every turn more accurately than an F1 circuit, if you’ve seen a few film noir movies like Body Double, Just Cause etc. The dialogue, while natural, doesn’t really enhance the film and is sadly lacking in any witty repartee. Finally, the songs are an unwelcome intrusion and slow down the movie. The acting is good overall (not great but good), its pretty slickly done, runs along at a fairly nice clip. One of the big pluses for me was that I found Neha Uberoi to be very easy on the eyes. Have a look at the photo below
and to paraphrase George Clooney in Oceans Eleven, if she doesn’t look like your brand of vodka, then you might as well stay away from the film.

Indiana Jones and the Kingdom of the Crystal Skull

Rating : 6/10
Running Time : 124 Minutes
Release Date : 22nd May ‘08
Director : Steven Spielberg ; Writer : George Lucas, David Koepp ; Music : John Williams
Starring : Harrison Ford, Cate Blanchett, Shia LaBeouf, Jim Broadbent, Ray Winstone, Karen Allen
This is a fun movie, if, like Bond movies, you’re willing to suspend your disbelief at some of the stunts, some plot elements and the fact (like most Hindi movies of yore) that even though 100 bullets are fired from ten guns, not one is going to hit the leading man.

Indiana Jones is older, but has lost none of his enthusiasm or sense of humour. The plot (does it really matter ?) is just another excuse for him to indulge in his twin favourite pastimes of going to ancient ruins (which are now only marginally older than him…just kidding…) and bashing the baddies. The ruins in this case are located in Peru, around the Nazca Lineas / Cuzco, and it was very nostalgic to see the Soviets making a comeback as the baddies – I had been missing them and the Koreans, Iraqi’s, Afghani’s etc somehow don’t evoke the same emotion as the blank-faced beefy blond guys they usually manage to dig up to masquerade as the cold Commies of yore. Adding extra spice to the proceedings are two subplots, one involving a James Dean / ‘Easy Rider’ imitator (Shia LaBeouf) and the other involving the McCarthy era communist witch-hunt which characterized the USA of the fifties (and then we get surprised when the USA does a similar witch-hunt, this time spurred by the spurious 'war on terror' and imprisons people in inhuman conditions without trial in Guantanamo Bay ? What was that about ‘history repeats itself’ ?).

There are moments where you blink and shake your head incredulously at what you’re asked to believe (how Indiana Jones manages to match a giant Soviet army specimen blow for blow in a fistfight, for instance ? A real fight would have not lasted more than 30 seconds). However, in most cases, you go along with the flow, admire the scenery, the special effects, the beautiful booby traps they conjure up and laugh at the steady stream of one liners…It was also refreshing to see them desist from showing any eye candy…in most Hollywood and all Bollywood movies they would have succumbed to temptation and shown a nubile young twenty something falling in love with the older man. Maybe I’ll feel differently when I’m older but right now it still seems too desperate and unreal and I'm glad they didnt.

If all else fails, you can still enjoy watching the venerable Mr Jones crack the whip and make all those around him dance to his tune. Enjoyable from the first to the last moment but not one that’s going to leave a lasting impact or change your world.

Jannat

Rating : 5/10
Running Time : 140 Minutes
Release Date : 16th May ‘08
Director : Kunal Deshmukh ; Writer : Vishesh Bhatt ; Music : Pritam
Starring : Emraan Hashmi, Sonal Chauhan, Javed Sheikh,Vishal Malhotra, Samir Kochhar

I’m probably being over-generous here but after some of the turkeys I’ve seen in recent times (U Me aur Hum, Mr Black Mr White , Tashan, and even Bhootnath), this was actually a bit of a relief. An unpretentious film, very natural dialogue (at times quite funny) and decent performances overcome the lack of depth and the melodramatic, predictable ending.

The movie follows the rise and rise of a small time gambler (teen patti player, the Indian equivalent of poker) who, based purely upon his intuition, starts to bet on cricket matches and then cannot stop winning. Soon he becomes a bookie and then is hired by a big underworld don from South Africa to become his match fixer. All this is interwoven with his relentless and extremely expensive pursuit of his queen of hearts – a girl he spots in a mall one day and of course, its love at first sight (is there any other kind in Hindi movies ?).

She, with a little egging from his father (a good, honest, poor man), tries to find out whats the secret behind his sudden wealth but he makes a ‘love means never asking questions’ kind of pact (‘don’t ask and I wont lie’ were his exact words). However, she obviously does find out one day, co-incidentally around intermission time, and what happens next is the focus of the second half. I was able to think of at least a couple of good, interesting endings but unfortunately the makers of this one chose to play it straight, though I liked the little touch they gave in the very last scene.

I’ve actually avoided Emraan Hashmi movies, thinking of him as quite a one-dimensional actor, frankly puzzled by his success. But based on this one, I’ve done him a disservice – he was quite nice, likeable, doing justice to a character who speaks little but knows what he wants. Sonal was ok, nice to look at, with time may improve as an actress. Javed Sheikh provided the necessary gravitas to the role of mafia don while Vishal Malhotra and Samir Kochhar were good as Emraan’s best friend and the cop who’s on Emraan’s trail, respectively (ever noticed how, after Dhoom, the sartorial sense of cops has improved dramatically ?). Also, special mention of a nice cameo played by a character named Patel Bhai, I couldn’t find his name anywhere on the net.

Don’t go looking for any depth in this one and you wont be disappointed – it’s a film where one song is all it takes for the courtship, another for the obligatory under-the-covers scene and a final one for the lover’s tiff and that’s pretty much that as far as the love affair goes. If you can look beyond that, the title song is pretty nice and some of the dialogues will keep you entertained, may even make you laugh.

Celebrating A Century of Reviews

I recently completed a hundred reviews and decided to celebrate by writing about it. I feel like a movie director felt when the film completed a silver jubilee in the good old days or 50 days in the current slam bang multiplex era. I never thought this far ahead when I began reviewing but I have truly enjoyed watching the movies and writing about them. Writing especially, is something I had lost touch with during my professional career, and it feels great to be able to put non-work related thoughts to the computer screen.

I also have an impressive collection of statistics
• I’ve watched a 100 movies (mostly Bollywood) in the period from 13th July’06 till May’08 working out to a average frequency of 4.5 movies per month – kind of one every weekend.
• This has consumed approx 500 hours of my already incredibly hectic professional & personal life – that’s almost 21 full days !
• Total spend approx ~Rs 45,000, a shade over $1000, in watching the movies
• Readers from over 250 cities, across the 6 continents, view my blog / read my reviews. The map above shows last months dispersion – it gives me so much personal satisfaction to view this, I cant even begin to describe it.
• Total page views would be greater than 20,000 over this period.
• Movies that I have enjoyed the most (the non-mega releases, in no particular order) : Loins of Punjab Presents, Cheeni Kum, Manorama Six Feet Under, Khosla ka Ghosla and Dor
• Movies that I have loathed : RGV ki Aag (I still cant believe how someone can ruin Sholay !), Buddha Mar Gaya (the only movie I walked out of, during the interval), Baabul and Red.

My family has been incredibly supportive. It’s almost a dream come true for my wife as she gets to watch all the recent releases along with someone who, in the ten years prior to Aug’06, had not watched more than 5 hindi movies. My kids have enjoyed themselves as well – they either watch the movie or if it’s not good enough, punish the cinema hall for its bad taste by running around the whole hall and doing their best to wreck it by jumping on the seats etc. Even my parents have joined me whenever they can, willingly in the case of my mom and a tad reluctantly in the case of my dad.

I’ve also found myself getting more and more involved in the world of film-making. I’ve now met producers, actors, script-writers and very recently a script-writer cum lyricist. I’ve found out much more about the entire business of cinema – who makes money, how are deals structured, how there is now some amount paid for branding in almost every scene etc. Also, once you take away the A-list, it’s a world where people struggle to make ends meet. Take away the glamour and it’s just another job. I also think that our cinema is too reliant on the A-list stars – there have been no commercial hits I could think of in my reviewing period that did not have at least one or two stars, which is sad.

This exists because directors / producers are excessively obsessed with the songs and stars and not enough on the script / dialogue. I also loathe the trend of dumbing down movies, with a very elitist view of ‘making it accessible for the masses’, ‘this is what people want etc’. If you have the guts to make a good film, holding on to its creative integrity and soul, the same masses welcome it and flock to the cinema. Taare Zameen Par is a marvelous sentimental, emotional film which was restrained, not once did it go over the top or fall prey to providing cheap thrills yet was a blockbuster with gross earnings of Rs60 crore ($15 mn) in India alone. Cheeni Kum is today called a multiplex film (still raked in Rs30 crore at the box office) but in an era long ago there were brilliant, commercially viable films like Abhimaan, Chupke Chupke etc which touched on bold themes or entertained without falling into the slapstick trap. I think making a good film takes balls and if you succeed, the rewards will come, punto !

I’ve personally now written one full-fledged script and have two more outlines written out. Some day I hope to bring them to life. I also need your help, for another project I have in mind. I would like each of my readers to list their top10 hindi movies (preferably the ones shot in colour) in the comments section. If they are ranked fine, else even just the list is great. Also, If there are 13 or 8, don’t knock yourself out making it 10, that’s only indicative…

Your thoughts on my thoughts are welcome as always. Until the next review, then…

Bhootnath

Rating : 4/10
Running Time : 150 Minutes
Release Date : 9th May ‘08
Director & Writer : Vivek Sharma ; Music : Vishal-Shekhar
Starring : Amitabh Bachchan, Juhi Chawla, Aman Sidiqui and Shahrukh Khan in a very long guest appearance
The movie is about a ghost in a house (Amitabh as Bhootnath), who normally scares would-be residents away, but befriends a kid who’s come to stay, has some fun with him and then gets very very emotional in the second half. Above-mentioned kid is accompanied by Juhi as mom, while SRK as daddy works on a ship so is absent for large periods. This film forced me to ask several deeply philosophical questions. Can ghosts choose who they are visible to and whom not ? Can they decide to change their preferences or does this get ‘locked in’ ? Are they stuck to a place (like a house) or are they free to roam (go on holidays etc) ? Can they move physical objects ? Can ghosts cry ?

There were some nice touches in the film. I think more could’ve been made of Satish Shah’s fetish for tiffins, more could’ve been done with even the ghost and how it used different means to scare different people off. Maybe they could’ve even made it ( another philosophical one - do ghost’s have gender ? Is ‘it’ ok or should it be ‘him’ instead ?) a ghost who was just having fun (kind of like Bill Murray in Groundhog Day) instead of being a sulking, seething ghost ? Aman thankfully behaves like most normal kids do and is not sickly sweet like most Bollywood kids, except in a couple of scenes where he’s a got a ridiculous mix of ‘Kodak moment’ meets ‘Close-up confidence’ kind of a grin/smile. And Rajpal Yadav is getting too predictable and irritating. Do something different or retire is my humble plea - there are better ways to make money.

I think the director / producer here couldn’t quite figure out who was their target audience. Was it kids and adults who behave like kids or was it adults who behave like adults ? If it was the former, then the second half was too soppy and sentimental and even the first half needed a few more laughs. If it was the latter then the first half was too frivolous and even the second half’s sentimentality was a bit forced, a bit much-a-do-about-nothing. So the film, kind of like its lead character, Bhootnath, inhabits the mid-world, and is neither here, nor there. Being an active and hopefully lifelong member of the adults-behaving-like-children club, I just wish they had gone whole hog on the laughs !

PS – I think its safe to take kids to this one – some ‘scary’ moments in the first half but nothing which will lead to sleepless nights or huge psychiatry bills later in life…

Mr Black Mr White

Rating : 2/10
Running Time : ~140 Minutes
Release Date : 2nd May ‘08
Director & Writer : Deepak Shivdasani ; Music : Too Many People Who created horrible soundtracks
Starring : Arshad Warsi, Suneil Shetty, Sandhya Mridul

This movie suffers from the curse of the multiple S’s…
• Stupid Story
• Silly Slapstick
• Simpering, Soppy Sentimentality
• Slinky, Sleazy Sexiness and Skin show
• Scatter-brained Sub-plots

It was too painful to watch, makes you cringe in several places, the story has more flaws than Rakhi Sawant’s body jobs and the only people who laughed during the movie were these 6 year olds sitting near us. A waste of Arshad, Sandhya and Suneil’s acting talents (especially considering Sandhya and Arshad were last together in the brilliant ‘Waisa Bhi Hota Hai Part2’).

No other comment necessary. And I still don’t understand why the name ?

Sirf

Rating : 5/10
Running Time : ~150 Minutes
Release Date : 25th April ‘08
Director : Rajaatesh Nayar ; Writer : Santosh Saroj ; Music : Sohail Sen, Shibani Kashyap
Starring : Kay Kay Menon, Manisha Koirala, Parveen Dabbas, Rituparna Sengupta, Ranvir Shorey, Sonali Kulkarni, Ankur Khanna and Nauheed Cyrusi

I’m going to give this one 5 cause of what they attempted, the messages they sought to give. They didn’t tie it all up as well as they could, it lacked finesse, the production values were poor and the songs were terrible / misfits. But it was decent and very realistic.

Its about four couples and each one is shown facing different issues, have different things on their mind. Also, each one envies the other couple who reside slightly above them on the social ladder (their names of the couples are given above in order of social hierarchy). There are one or two characters who weren’t fleshed out fully – for Kay Kay and Manisha, I struggled to pin point the key issue, as the main problem they showed was too trivial, could’ve been solved quite easily. Key messages of the film
1. Most humans truly think the grass is greener on the other side, especially if the object of their envy is wealthier. Even the wealthy ones yearn in some ways for the simplicity of life when they were not so wealthy. And neither truly comprehends exactly what the other couple’s are going through.
2. We sometimes postpone what is truly critical (in personal life) for some ‘crisis’ or the other at work. As someone said, no one died regretting that ‘he didn’t spend enough time at the office’. Yet, one of the sad facts of life is, the rat race seemingly magically compels us to do so…
3. Indian couple’s are terrible at communicating with each other. I think most of us get so dragged in the routine ‘who’s doing what, when, how’ that we forget the why, the big picture. Half the problems shown amongst the couple’s could’ve been solved by better communication

The acting was good overall, with Ankur probably being the weakest link. Dialogue was reasonable, quite true to life without being mundane. Its pretty interestingly set-up at the interval but definitely had some issues, none more glaring though, than whats mentioned in the first para. I would also have handled the ending differently – I would’ve preferred the points to come across without some of the drastic steps taken by the script writer. Also, I wish they’d not made the stunning Rituparna look as terrible as she did – she fit her role perfectly, but I wish they had cast someone else instead.

Depends on your mood this one, depends on how your relationship with your spouse is placed on the day you watch it (you’ve had a fight, are making up etc) to determine what you make of the movie. Its not going to change your life but most couples can probably pick up a thing or two from this bittersweet movie.

Mixed Doubles

Rating : 7/10
Running Time : 94 mts
Release Date : 10th Feb ‘06
Director : Rajat Kapoor ; Writer : Rajat, Anurag Kashyap ; Music : Sagar Desai
Starring : Konkona Sen Sharma, Ranvir Shorey, Vinay Pathak, Rajat Kapoor, Koel Purie, Saurabh Shukla

An old release that i finally managed to get hold of. Its an interesting one, touching a topic that not too long ago was taboo, would’ve had people from assorted minority groups protesting in front of cinema’s screening the film, breaking windows etc. Probably the fact that it was not a big banner and therefore wouldn’t have made the news prevented them from doing so. Its another Rajat Kapoor film, starring his usual suspects (Ranvir Shorey, Vinay Pathak, Saurabh Shukla) and one unusual one (Konkona Sen)

The movie deals with ‘swinging’, the type of parties where a couple go together but come back separately (if you still don’t get it, the movie is definitely not for you). The plot is simple enough with Ranvir Shorey being the middle-class husband who is having middle-age problems in terms of being able to keep it up. He loves his wife (Konkona Sen) but wants something to spice up their marriage and once he hears of this concept, he cannot get it out of his mind. After a lot of effort, he manages to find a like-minded couple (a suave Rajat Kapoor and a slightly ‘wonky’ Koel Purie), finds a devious, underhand way to get his protesting wife to agree and soon its time for the big night…

There are certain truths which are established in the movie quite clearly
1. Males are still hypocritical when it comes to the topic of sex, especially the extra-marital variety
2. People in Rajasthan eat rabbits
3. There is still a class-divide prevailing, and we mercilessly make fun of people who cant speak English properly
4. Don’t trust everything NRI’s say. They aren’t always as cool as they pretend to be.

Konkona looks lovely in a short bob-cut and effortlessly slips into character. The others are good, as always. The movie, however, doesn’t quite scale the heights of greatness. It’s the type which is pleasant to watch, makes you smile in a few places but never makes you laugh out loud (nor is it trying to). I wish they had made more of the ending, it was pretty interestingly set-up when it ended and I was hoping for more. It’s a nice, realistic, slice-of-life view of suburbia and is content to be a hill without any aspiration to become a mountain. Please also read Rajat Kapoor’s hilarious commentary on his life and also about marriage on his website.

Tashan

Rating : 3/10
Running Time : 160 Minutes
Release Date : 25th April ‘08
Director & Story : Vijay Krishna Acharya ; Music : Vishal - Shekhar
Starring : Saif Ali Khan, Akshay Kumar, Anil Kapoor, Kareena Kapoor
This is a film about cheap thrills. A flat-stomached Kareena in a bikini and other skimpy little nothings, who’s hour glass figure had even the women raving, was undoubtedly the highlight of the movie. Everything else didn’t really measure up, pun intended.

Its more Cash than Dhoom2 (or even Race). It’s a movie that tries very hard to be cool, which is why it fails. Its more about hype / style than strong intrinsics or substance. The plot is laughable, thinner than a Pringles. The characters are all caricatures with Anil Kapoor’s one-joke, ultra-hammy ‘Bhaiyya ji’ probably being the worst. The twists / turns would have been better off in another movie. The ending is farcical, the fight / action sequences are so over the top, they make Everest seem like a mole-hill. And there are several pathetic sub-plots, with the whole ‘gudiya’ angle however, easily taking the cake and all other party foods in its sheer terrible-ness. The songs are all forced and mostly tasteless. Kareena looks gorgeous, overdoes the pout a bit, but no complaints overall. The rest were terrible.

This is nothing but a three hour extension of the two-minute Akshay action sequence that was shown in Om Shanti Om. Its likely to be his first film in quite a while which is not a major hit. As one of my friends remarked, this just proves that Yash Raj films has officially lost it. I, however, understand why they were having yet another battle with the multiplexes about the share of spoils in the initial weeks – they knew that its highly unlikely to be running after that !

U Me Aur Hum

Rating : 3/10
Running Time : 165 Minutes (in India), 150 mts internationally
Release Date : 11th April ‘08
Director : Ajay Devgan ; Writer : Ashwani Dheer ; Music : Vishal Bhardwaj
Starring : Ajay Devgan, Kajol, Isha Sharwani, Divya Dutta, Karran Khanna, Sumeet Raghavan
Its more fun watching paint dry. Or watching grass grow. At least that doesn’t make you feel icky-yucky all over. I think a good comparison would be hearing nails scratched over a blackboard.

Ajay woes Kajol on a cruise ship. A very predictable love story (including some pathetic pick up lines that would normally merit a cold shoulder at best or a call to arms at worst) becomes a descent into psycho-medical mumbo jumbo and then becomes predictable all over again. We know nothing much about the two lead characters (how do they think, what are they looking for in their soulmate) apart from the superficial ("I like white", "I don’t like salsa" etc). The camera angles are way too close and slightly wonky, some of the songs are forced, and the role requires Ajay to be way too expressive. I think he’s much better in dead-pan, brooding sort of roles.

Some much needed comic relief comes from Karran Khanna (the 'Pushpa' one deserves special mention), one half of the 2 couples/friends Ajay’s character has. Ajay’s directors note on the official website is actually quite a good read, but he doesn’t manage to translate his thoughts in his debut directorial venture, like ‘a film should entertain’, into reality.

The restlessness in the audience while watching was palpable and the most common sight around the hall was the good old yawn. The predominant thought people walked out with here was ‘where can I get a drink to help me forget this’? I blame this movie for being directly responsible for the three pitchers of cocktails that my group consumed during lunch and for being generally low-key through the rest of the day. It was too obvious and too painful.

Krazzy 4

Rating : 3/10
Running Time : 130 mts
Release Date : 11th April, ‘08
Director : Jaideep Sen ; Writer : Ashwani Dhir ; Music : Rajesh Roshan (with a little help from Ram Sampath)
Starring : Arshad Warsi, Irfan Khan, Juhi Chawla, Dia Mirza, Rajpal Yadav, Suresh Menon
Imagine 4 mental patients are taken for a day out by their doctor. En-route, the doctor stops for an errand and then disappears. Now the four are left by themselves and have to figure out where their doctor is. Interesting ? I thought so too…

However, then the producer / director and scriptwriter conspire to ruin the movie by dumbing it down, adding every single PJ they could think of, throwing in every emotional trick in the book to vainly spice it up including lost love, cute daughters, villainous husbands etc and force-fitting numerous songs which totally break any momentum the movie starts to build, including pathetic item numbers (there’s one with Rakhi Sawant flashing abs which put Shahrukh to shame. As an aside, can anyone think of any other woman on the silver screen who looks more sluttish than Rakhi ?). Finally, the performances were highly ordinary, with all the actors entering ‘sleepwalk’ mode.

Why then did I give it 3 ? Because it made me laugh a few times. There is an imminent threat of a part2 as this one ends with a ‘to be continued...’ but I will enjoy skipping that one. And that my friends, is that.

Shaurya

Rating : 8/10
Running Time : < 120 mts
Release Date : 4th April, ‘08
Director : Samar Khan ; Writer : Jaydeep Sarkar, Aparna Malhotra, Samar Khan ; Music : Adnan Sami
Starring : Rahul Bose, Kay Kay Menon, Minissha Lamba, Amrita Rao, Deepak Dobriyal
This is gripping, intense stuff, definitely not for those looking for light hearted entertainment alone. Its clearly inspired by ‘A Few Good Men’, but its better in most respects except at the end, in terms of how it brings it all together. AFGM had a more logical connect, carried the audience with it a bit better.

Javed Khan (I’m terrible with army ranks so wont even try) is accused of killing his peer officer, Rathore while on a search operation in Kashmir. He is maintaining a stoic silence, refusing to speak to anyone. There are quite a few witnesses, so it seems like an open and shut case. Since he is a Muslim, there is also the inevitable talk of him being a terrorist supporter. Also, since their unit reports in to Brig Rudra Pratap Singh, the self styled Lord, God and master of the area, who is destined for a big promotion shortly plus since Rathore was one of his favourites, the case is a very high profile one. Jaaved Jaafri and Rahul Bose are both great friends, employed in the army as legal officers. While Jaaved is about to get married, and is a more serious, stable kind of guy, Rahul’s life is all about adventure sport, dating etc. They get appointed on opposite sides of the case, with Rahul getting the unenviable job of defense. One of the people he meets in Srinagar is Minissha Lamba who is a journalist who wants to make it big. How the case fares, how the different relationships get on is the focus of most of the movie.

I don’t think I have seen a better performance than Kay Kay as Brig Pratap. He was awesome, roaring vitriol in one second, calmly discoursing on the merits of single malt in another.

Rahul Bose was very good as the defense lawyer, his role also required him have a Jekyll and Hyde personality. To be a good for nothing frivolous guy yet introspective. Be disinterested one moment, but willing to put his job on the line in another. It was refreshing to see Jaaved Jaafri doing a role of substance as well. The last couple of times I saw him he was doing a caricature in one movie (a Crocodile Dundee rip off in Salaam Namaste) and a cartoon in another (Dhamaal). Minissha Laamba was good and Amrita Rao made a positive impact in the few scenes she had. And a special mention of Deepak Dobriyal who played Javed Khan, he was almost unrecognizable from his earlier role in Omkara and was very good as well.

Where the movie was very good was Indianising the plot, making it very credible and keeping the interest going throughout the movie. They built the climax up very well, and towards the end, there was hushed silence as the audience watched the drama unfold. Also, what they managed very nicely was keeping the tension going but not letting it get too heavy with some very nice humorous touches. Where it suffered was at the editing table, where I really feel with some minor changes, the end could’ve been made even more exciting, things explained more clearly.

However, let nothing detract from the sheer watchability of the movie. It has some excellent performances, brilliant dialogue and lovely humour. And it builds up beautifully to an explosive, emotion charged climax. I really enjoyed this one, a good movie at last that is cerebral, requires you to use your brain and is very intelligently made. Samar Khan, in a very refreshing Director’s note on the official website, stated that he doesn’t care about the box office success but if only 40 people saw it, he wants 39 to say it touched them. By that criteria, on the basis of the group I saw it with, the film is a roaring success !

Anuranan

Rating : 7/10
Running Time : 113 Minutes
Release Date : NA
Director & Story : Aniruddha Roy Chowdhury ; Music : Tanmay Bose & Aashis Rego
Starring : Rahul Bose, Rituparna Sengupta, Raima Sen, Rajat Kapoor
I saw this little gem of a Bengali movie yesterday night. Hard to describe, since most of the beauty lies in the dialogue, the relationships and the breathtaking cinematography of the Kanchenjunga mountain range.

Rahul Bose is an architect / project head of a company that transfers him from London to Kolkatta, where he has to execute an eco-tourism project overlooking the Kanchenjunga for a company headed by Rajat Kapoor. Their wives are Rituparna Sengupta and Raima Sen respectively and most of the movie focuses on the inter-relationships between them – more specifically Rahul’s relationship with the two of them.


He is a mischevious, creative, artistic person, prone to making observations on life on his Dictaphone, uneasy at parties or on a dance floor but happy reading / conversing or just watching people / life go by. He makes friends easily and his friendship with Raima reminds her forcefully of what her life has become, stuck in a marriage with a dominating husband obsessed with making money, wishing she can be a bird in her next life. Rituparna is shown to be a sensual, loving, slightly temperamental wife who can’t get over the fact that she can’t have kids.

The ending is slightly jarring. Probably, like the relationship between Akshaye Khanna and Dimple in Dil Chahta Hai, it was the directors way of showing that some relationships are never meant to be understood. I also feel that some more time could’ve been spent on some of the relationships / conversations – which were easily the best part of the film.


The movie is a reminder of the beautiful, lyrical quality of the Bengali language – it was lovely hearing the words roll of the characters tongues. Rahul Bose was very good – I don’t know why but he seems much stiffer in Hindi films, while here he was relaxed, bringing life to most scenes featuring him. Rituparna looks and acts stunningly – very very sensuous and sultry, she is a treat to watch and I can't fathom why is she not appearing in Hindi movies ? Raima’s is very good as well, slightly restrained, as befitting her character but making her emotions come through nonetheless.

Anuranan means resonance and the movie is all about trying to find people with whom you resonate…what a beautiful thought to end the day with….

One Two Three

Rating : 3/10
Running Time : 137 Minutes
Release Date : 28th Mar ‘08
Director & Writer : Ashwini Dheer ; Music : Raghav Sachar
Starring : Suneil Shetty, Paresh Rawal, Tushar Kapoor, Isha Deol, Sameera Reddy

An interesting premise, unnecessarily dumbed down and converted into brainless slapstick in the vain hope of being a ‘mass comedy’.

Three people, all named Lakshmi Narayan, check into the same hotel and receive instructions on what they have to do next. Suneil Shetty, an employee of a car dealer, has to buy a car. Paresh Rawal, a retailer of ladies undergarments, has to see some new designs. And Tushar Kapoor has to kill someone. The three instructions get predictably mixed up and mayhem happens. The director / producer / writer could have now chosen 2 routes
• making a comedy (like Khosla ka Ghosla) which all could have enjoyed
• making a timepass movie by making everything slapstick (like Dhamaal), with generous dollops of crude, sexist humour and brainless fun.

To be fair to them, seeing the commercial success of Golmaal, Welcome and Dhamaal, you can’t argue with the financial part of their reasoning. Suneil, Paresh and Sameera were as good as they could be. The rest were one cacophonic blur…

My kids loved it, there were a lot of people laughing in the audience but I was only weeping at the loss of 1600 bucks and the wasted time…a lot of my family members also felt I was being over-generous with a 3 rating. Guess it takes all sorts to make a world.

Black & White

Rating : 4/10
Running Time : ~120 Minutes
Release Date : 7th Mar ‘08
Director & Writer : Subhash Ghai ; Music : Sukhwinder Singh
Starring : Anil Kapoor, Anurag Sinha, Shefali Shah, Habib Tanvir

There is something about religious fundamentalism which is so alien to my constitution that this movie made me uneasy – it wasn’t pleasant watching. It traces the story of Nuwair, a muslim fundamentalist, raised in Afghanistan, who has come to India to be a suicide bomber at the Independence Day celebrations at Red Fort on 15th August and stays with some sympathizers / ‘relatives’ in Chandini Chowk (area in Delhi, near Red Fort).

One day, in a chance encounter, he meets Professor Mathur, renowned professor of Urdu in a university and a well respected and well connected personality of the area. Due to various reasons, Numair realizes he has to make friends with the professor and needs his help to make his plan successful. What happens, how does his plan fructify and how does his relationship develop with the professor and his firebrand wife, is the focus of most of the movie.

One thing that comes through quite clearly is how lucky we are that most Muslims living in India are not fundamentalists. Numair, shown to be a quiet, intense and very narrow minded in his thinking is quite perturbed to find music, dancing, drinking and even mixing with Hindu’s, quite common amongst his support group. I was lucky to experience this close-hand in Bangladesh as well – to find most Muslims there very chilled out, relaxed unlike the rabid fundamentalists of the Gulf.

I think where the movie really lets itself down though is in its overall amateurnishness. There is a lack of slickness, its jerky, the acting of most of the people is either over the top or very B-grade. And the sets are almost laughable (especially the Afghanistan bits). The dialogue is quite ordinary, again doesn’t flow smoothly with very few exchanges sticking in your memory – there was a real opportunity missed here to have some philosophical exchanges between the professor / his wife and Numair. The songs are good, some quite hummable.

So, a movie which makes you squirm, made me uneasy for most parts. The ending is quite irrational, a bolt from the blue. Something interesting conceptually but it fails to fulfill its true potential. Noble intentions, but there was something amiss in the overall package…

Race

Rating : 8/10
Running Time : 154 Minutes
Release Date : 21st Mar ‘08
Director : Abbas-Mastan ; Writer : Shiraz Ahmed ; Music : Pritam
Starring : Saif Ali Khan, Akshaye Khanna, Bipasha Basu, Katrina Kaif, Anil Kapoor and Sameera Reddy, Dalip Tahil

One non stop adrenalin rush….more twists and turns than the crookedest street in the world (San Francisco)…a plethora of pretty, skimpily clad (young ?) things…a horde of handsome hunks and highly strung horses …and full of fast cars and even faster double-crosses … kind of like ‘Wild Things’ on skates…

Life is not easy for Ranbir Singh (Saif), elder brother and primary heir of a large horse racing empire. He is ruthless and plays hard but fair (unlike the Aussie cricketers who only pretend to do so). He is saddled with a few double crossers, an alcoholic good for nothing younger brother Rajiv (Akshaye) and some unidentified people trying to kill him…but he’s indestructible and aided by a gorgeous girlfriend (Bipasha) and sexy secretary (Katrina) he’s not doing too badly, despite the evil machinations of rival horse owner (Dalip Tahil)….

Now, that’s all I can reveal about the story – else I will start giving away key plot elements…suffice to say that the next 150 minutes go very easily in one breathless rush, hardly giving pause for air, in a very slick, sensational mix of cross and double cross…

Its very nicely done. The key characters are sufficiently built, they (and some of the stunts) are definitely over the top but not beyond the point of losing credibility or stepping into the territory of ridiculousness. And its very slick, very heady and you’re begging for more when it ends (I really hope they’re thinking of a part2).


Star of the movie, beyond a doubt was Saif. The man has reinvented himself so many times that you’ve run out of counting fingers…this is a new, lean, mean, muscular action hero. Looking every inch the part…no more adorable, boy next door, no more the lovable rogue. This is a serious, restrained, brilliant performance. And he looks every inch the part – in fact the only time he looks out of sorts is when he is dancing some silly steps in one or two songs. Akshaye was good – he’s got a meaty role and does enough with it to make it credible. Bipasha was hot as ever as was Katrina (in a slightly smaller role). Sameera and Anil Kapoor come on as detectives in the second half – I thought some of the humour here was out of place, not needed – too slapstick and unnecessarily crude / sexist. Both did their roles justice though and I really admire the way Anil has managed to reinvent himself as well. Sameera also proves she can act if you can look beyond her more obvious assets.

It was a very enjoyable experience and having it set in one of the most beautiful countries in the world (South Africa) helps add to the glamour quotient. Like this review, most of the movie is about hyperbole but there are enough thrills and spills to make the price of the entry ticket worth it ! a very well spent three hours…beautiful people, beautiful places and some very evil thoughts and devious plans…I’ll fall for it hook, line and sinker every time…

Sanjay & Suneil's Yaaron ka Tashan

The Making of "Yaaron ka Tashan"

The "Yaaron Ka Tashan" commercial

Sanjay Dutt's Mardangiri

I found this great...

Jodhaa Akbar

Rating : 7/10
Running Time : 213 mts
Release Date : 15th Feb ‘08
Director : Ashutosh Gowariker ; Writer : Haider Ali ; Music : A R Rahman
Starring : Hrithik Roshan, Aishwarya Rai Bachchan, Kulbhushan Kharbanda, Ila Arun, Suhasini Mulay, Sonu Sood and Punam Sinha.

Viewers of this film will be forced to make a choice.

They will either choose to be swept away by the wonderful visual imagery of this period drama, the awesome scale of it all, the undeniable charisma of the two leading stars, the very solid performances of all the character actors. They can soak in the authenticity, the clothes, the jewellery and the elaborate sets, and even the formal language, the relaxed pace and the overall ambience.

Or they can choose to focus on the lack of a powerful, stirring storyline (a la Lagaan), they can focus on the length and the fact that its more a series of sub plots which comprise the film without a truly unifying plot, they can complain about the lack of a great climax or the fact that there are periods during the film when you can look around the hall and wonder what everyone else is thinking. They can complain even about the formal language, the relaxed pace and the overall ambience.

I think it totally depends on your perspective, the mood you go in with, the degree of the expectations etc. As for me, as my rating suggests, I'm more in the former camp than the latter (I was actually at sixes and sevens between giving it a 6 or 7 and then decided to be generous). I enjoyed the way the it does wrap you up in its atmosphere and transport you into another era. I also acutely felt the lack of a great ending / a single focal point in the film and was disappointed that Ashutosh was not able to bring it all together like the cricket match in his earlier film.

The movie is about a Muslim prince entering into a alliance with a unwilling Rajput princess due to political expediency and then charting how their relationship develops, the court intrigues, the foibles of that era etc. The clear highlights were the performances of the leading pair, both easily fitting into that era, changing their walk, language and mannerisms to suit their characters. If you want to see how not to do it, you can observe Abhishek in the remake of Umrao Jaan, where he seemed to mouth the dialogue without believing in the lines or their meaning and his walk still retained the jauntiness of the twenty-first century rather than the stateliness of another era.

The other notable features were the sequence involving Hrithik practising sword-fighting in front of Aishwarya's room (made interesting when he realises she's watching), the fight with the elephant and two magnificient songs, one 'Khwaja mere Khwaja' because of its simplicity and spiritual picturisation and the other, 'Azeem-o-shaan Shahenshah' because of its scale, choreography and grandeur.


In this film when you walk out, you do it with no great emotional change or no provacative thoughts mulling around your head. So in that respect it is a 'time-pass' film. However, it is a beautiful experience, enjoyable for those who relish this kind of thing and its made all the more magical by the presence of Hrithik and Aishwarya, who, according to me, continue to be the best looking screen couple in the world.

Mithya

Rating : 3/10
Running Time : 100 Minutes
Release Date : 8th Feb ‘08
Director : Rajat Kapoor ; Writer : Rajat Kapoor and Saurabh Shukla ; Music : Sagar Desai
Starring : Ranvir Shorey, Naseerudin Shah, Neha Dhupia, Vinay Pathak, Saurabh Shukla

I think the rating would probably be 7/10 for the first half and 1/10 for the second…

It starts off as a kind of comic ‘Don’ (or Don on skates, to be more precise) and then…,well I’m not quite sure what happens next really except to say that it crashes and burns. The 20 minute ride back home at 1am in Pune was actually more interesting than the second half (thanks to the amazingly narrow exit at the Inox car park, two idiots in Indica’s who felt the desperate need to race each other and a very lazy autodriver who, from my left lane, felt the sudden, inexplicable yet compelling urge to u-turn)

We shouldn’t take anything away from the first half where Ranvir, Vinay and Brijendra Kala combine spectacularly to provide us a barrelful of laughs. Ranvir is excellent throughout the movie and hopefully this movie can help him appear in more meaningful roles vs the comic cameos so far. Neha Dhupia confidently struts her stuff (pun intended, she has potential, this girl). Naseer is good and the whole thing is brilliantly set up. Which is why the events of the second half are absolutely baffling – I really struggled to stay awake, my wife actually managed a gentle snore and even when we returned home, despite a debate, we couldn’t be sure exactly what had happened. It was like a football match where two sides go hammer and tongs at each other in the first half for a 3-3 halftime scoreline and then replace their strikers and decide back-passing to their respective goalies is the best form of offense for the whole of the second half. Baffling, absolutely baffling, the mysteries of day to day life continue to confound, I tell you…

I’d complained in the previous review (of Sunday) about how the director couldn’t make up his mind whether he wanted to make a comedy or a thriller. Imagine the complication when the director here decides to make a comedy – thriller cum romantic movie ? I’ve known a lot of successful comedy –thrillers (48 Hours, Stakeout, Beverly Hills Cop spring to mind) and even more romantic comedies or rom-coms as they’re affectionately called (When Harry Met Sally, Four Weddings and a Funeral, Pretty Woman all were great to watch) but I struggle to name one which successfully spans all three genres…And I’d been so looking forward to this one ! What a pity….