Saturday, November 12, 2011

Rockstar



Rating : 8/10
Release Date : 11th November, 2011
Time : 155 minutes
Director : Imtiaz Ali; Writers : Imtiaz Ali, M Beg; Music : A R Rahman
Starring : Ranbir Kapoor, Nargis Fakhri, Aditi Rao, Piyush Mishra, Kumud Mishra, Shernaz Patel, Shammi Kapoor



Despite its length, numerous logical and other flaws, what kept me hooked was the scintillating music, Ranbir’s performance and the crazy, goofy, improbable love between the ‘hi fi', 'neat & clean’ Nargis Fakhri and the Jat boy from Pitampura who wants to be a musician



The love begins as an unlikely friendship. She is the poster girl of the college, coveted by all in a very physical sense. He is more often than not the butt of jokes, spends most of his time in the canteen. However, the soon-to-be-married Nargis strikes a deal with this cartoonish lad to fulfil a few of her baser desires (no, its not what you think). Ranbir goes along for the ride. And we find through the movie that the ride never quite stops….



Ranbir’s growth as a musician juxtaposes with the different emotions he goes through. Expulsion and numerous thrashings by his family. Life as an unwanted wasterel in a dargah. Separation from Nargis. A trip to Prague, where she is now settled after marriage. Meeting her again. Then again. And his rising star in the music world, along with the growing sense of being incomplete without her.



Its hard to imagine any other actor of the younger lot being able to carry this role out. Ranbir manages to look good in just about anything (though full credit to Aki Narula for his threads). His locks & looks change length and character as frequently as he is forced to. From the bumbling, innocent kid to the friend for life to the castaway wastrel to the assured musician to the angry young man who has it all. From looking goofy to innocent to angry to cool, sometimes in a matter of minutes. I also liked the realism of the Delhi University setting, the terms used (palangtod, jannat hai yahan etc), the different characters, the foggy mornings and the idea of college being a place more for extra curriculars than for studies (I think we saw the inside of a classroom for all of 2 seconds).


And rising above all this, almost linking it together is AR Rahman’s near mystical music, haunting, enthralling, with a life of its own. From the divine ‘Kun Faaya Kun’ to the angst driven ‘Naadan Parindey’ to the self doubting ‘Jo Bhi Main’ to the funny ‘Katiya Kahun’ to the rousing, angry, anthem like ‘Sadda Haq’. Excellent lyrics by Irshad Kamil. And kudos to Imtiaz / ARR for keeping Mohit Chauhan’s voice constant for Ranbir. It helps build the character, make it more real.



It did get repetitive towards the end. You wished the two would make up their mind. The illness angle was possibly not desired, though I loved the stupidly romantic notion of a relationship where you feel so incomplete without the other that you fall physically sick and all the wealth / fame in the world doesnt seem enough. You wished it was edited better, a few jerks & jumps and also the length, with the film seeming longer than its actual running time. All the fun moments are concentrated in the first half, with the second mostly running on raw music & emotion.

It worked for me. I didnt want to miss a single frame, or its stunning locales, or the expressions or the musical notes (listen to the shehnai piece, in the background in the movie, from the CD, its just amazing). It works partly because its Ranbir. But sure its not for everyone.

5 comments:

Vikas Bhatia said...

Imtiaz , Ranbir, Nargis created Brilliance.

A word Of Caution though

The 40 + minutes of advertising during interval makes you loose interest in the movie.

Imagine when we cannot even tolerate 3 seconds if advt and go for the remote control at home, what movie goers would be going through when forced to watch almost 1 hour of advertisements.

Need a law.

Vikas Bhatia
vikasbhatia72@gmail.com

Apurv Nagpal said...

I think it was long, but you're exaggerating a bit. Its not driven by the movie producers, but the cinema owners. Doubt there can be a law which restricts this but in todays legal environment you never know...

Aarthi said...

Apurv,
I watched this movie after reading you review.
It was indeed mindblowing.
Ranbir performance and Rahman's music. Cannot shake it off!

thanks
Aarthi

Anonymous said...

Brrrr....what a heck.....I just have seen it and the last night i saw a japanese movie premiere among the producers, director, and actors of the film....no contrast...I say film in subcontinent has to learn a lot..especially the screenplay...
First come first....horrible editing...then hey what was the story?( I mean if there was any, it didn't show up) There was no way ever you get acquainted with characters....? Damn...? Plot is haphazardly architect.... It has some early scenes ditto of "Meray Brother ki Dhulan" especially, before marriage the girl needs to live the rowdy moments with a friend... (not a lover?) Heck.........!!!! and those bike rides...ditto....

Then there are technically uncountable flaws....a few to mention...For me staying 2 months at DARGAH..should be a symbol of spirtuality...never showed....????
The guitar is shown burning in flames with Ranbhir soaked in water....? what does that mean... when guitar is burnt, he still sings....brrr...soaking in water means you are drowned, but u are very much seen energetic playing guitar again... Why in the end on stage you have intercut scene of our leads under a sheet? Just to let us know the dialogues??????? what a bad premise....there are countless screenplay flaws....

Music is ok...but u r not very much either involved in them...so much conspicuous,one over other with emotions never much there....the transportation of Ranbhir character was ok... AND there was no guilt ever looked in Ranbhir character after he let her die with anemia while she got pregnant by his child...RIDICULOUS....I thought if people are saying lots of good about the film, it should be bombastic...sorry not allured me.

hammadwriter said...

Brrrr....what a heck.....I just have seen it and the last night i saw a japanese movie premiere among the producers, director, and actors of the film....no contrast...I say film in subcontinent has to learn a lot..especially the screenplay...
First come first....horrible editing...then hey what was the story?( I mean if there was any, it didn't show up) There was no way ever you get acquainted with characters....? Damn...? Plot is haphazardly architect.... It has some early scenes ditto of "Meray Brother ki Dhulan" especially, before marriage the girl needs to live the rowdy moments with a friend... (not a lover?) Heck.........!!!! and those bike rides...ditto....

Then there are technically uncountable flaws....a few to mention...For me staying 2 months at DARGAH..should be a symbol of spirtuality...never showed....????
The guitar is shown burning in flames with Ranbhir soaked in water....? what does that mean... when guitar is burnt, he still sings....brrr...soaking in water means you are drowned, but u are very much seen energetic playing guitar again... Why in the end on stage you have intercut scene of our leads under a sheet? Just to let us know the dialogues??????? what a bad premise....there are countless screenplay flaws....

Music is ok...but u r not very much either involved in them...so much conspicuous,one over other with emotions never much there....the transportation of Ranbhir character was ok... AND there was no guilt ever looked in Ranbhir character after he let her die with anemia while she got pregnant by his child...RIDICULOUS....I thought if people are saying lots of good about the film, it should be bombastic...sorry not allured me.