PK

Rating : 9/10
Release Date : 19th December, 2014
Time : 153 minutes
Director, Writer : Rajkumar Hirani; Co-Writer: Abhijat Joshi; Music : Shantanu Moitra
Starring : Aamir Khan, Anushka Sharma, Sanjay Dutt, Parikshit Sahni, Boman Irani, Saurabh Shukla, Sushant Singh Rajput



Ten Things About PK (and I’m trying hard to give nothing of the story away)

1. Aamir displays a child-like curiosity in the film, questions many things we take for granted. Imagine, if we were brought up in isolation, without parents / elders to make us conform, how many of our customs would we find odd ? For example, the concept of money ? Or Dancing Cars ? Or even clothes ? Its inevitable then, that he gets the name he does…

2. One custom, that for sure Aamir finds very intriguing, is that of our religions. Or different companies, run by different managers, as he puts it. Just for starters, ever wondered how the colour of mourning in one is the bridal colour in another ?

3. He, for reasons that will only be clear as you watch the film, does all this questioning in fluent Bhojpuri… which definitely enhances the humour quotient

4. He only trusts two people. One is Sanjay Dutt, a band master in Mandva, Rajasthan. Who, to assuage his own guilt, takes Aamir in, gives him shelter, helps him in many ways

5. The other is the pretty, petite, Anushka (looking quite different, not all naturally I’m assured by women who claim they can make out such stuff), who helps him out of a bit of a jam. Freshly jilted by her lover, Sushant Singh Rajput and back from videsh (picturesque Bruges), she is now a TV reporter in Delhi, and her Dad (Parikshit Sahni) is a great believer in a God-man, Saurabh Shukla

6. Saurabh Shukla, as many others of his ilk, claim to have a direct line to God. And his routine, extremely well enacted, actually involves him doing a mock conversation with our Maker, whenever a question is posed to him. He ends up having a key role to play in the film

7. Aamir’s acting and dialogue delivery is close to perfect. He is brilliant and with this one cements his reputation as one of the best actors we have on screen, definitely the best amongst the superstars.

8. Rajkumar Hirani and Abhijat Joshi deserve many kudos for delivering a great script (this time hopefully no controversy from a disgruntled author) as does Vidhu Vinod Chopra for producing it. Credit also due to Raju Hirani for extracting super performances from all actors (Sanjay Dutt was very good in his brief role) and also for great locales. The music, songs by Shantanu Moitra, lyrics by Swanand Kirkire is great – enhances the film, doesn’t disturb the story / pace of the film and isn’t the type that makes you reach for the phone to check your messages (the case with most film songs these days)

9. The film is a light-hearted yet hard hitting look at life and an aspect that divides us quite deeply. Probably something that should be kept personal but is instead used more for outwardly show, to create schisms among us. Something that in recent times has led to too much ‘touchiness’, unnecessary ‘sensitivity’ and even senseless violence.

10. There is a fable like feel to the movie (was reminded for some reason of Chocolat) and it deserves a lot of credit for managing to keep the tone light, despite the seriousness of the points it makes. The choice of Bhojpuri really does prove a master-stroke in this regard. There was, I felt, one redundant love angle in the film, and the sole point deducted for its final rating is probably towards that. I recommend making time for the film this week. And taking the kids with you is highly advisable.